This book started out as just a series of paintings while I was still in school. I have always been interested in urban legends, and their homegrown nature, for as long as I can remember. Coming from an art background, my natural thought was to make an art project out of it. The more I explored familiar tales, and researched previously-unknown-to-me tales, the more interested I grew in the history behind each one. I was no longer content to just visually depict my interpretation of these stories, I wanted to share all the spooky details. That is when I got the idea to write about each tale that I was illustrating, and compile them all into a book.
2. How have your sales been?
I just finished my final revisions, and started offering my book for sale, a few weeks ago. Needless to say, my close friends and family have started ordering my book, but I have not yet had the opportunity to do any marketing. I plan to promote and offer my book for sale in some local markets first and build from there.
3. Describe your experience with traditional publishers and how it compares to self-publishing.
I have only contacted traditional publishers for the purpose of illustration and design so far. What I have noticed is that small publishers are much more friendly to emerging talent. The publishers I have worked with have all been very accommodating thus far. I do enjoy the freedom of self-publishing, but sometimes it’s nice to have a partner to spur you on, especially if you are a procrastinator, as I’m sure we all are sometimes.
4. How have you liked self-publishing so far?
I have certainly enjoyed the freedom of self-publishing, mostly from a creative standpoint. I can do exactly the project I want, in the way that I want, without having to compromise. The finished book is much closer to my heart, because it’s a completely personal achievement, than it would be if many others had a hand in the pot.