Sabrina Ricci

cover1. Give me the “elevator pitch” for your book in five to ten sentences.

The world will not end in 2012, Amara just knows it.  The 20-year-old college reporter is set on debunking the Maya calendar myths and restoring the peace. But when a covert group starts hunting her, she and her roommate Cayden are forced to uncover her grandfather’s mysterious past.

At 20-years old, Mahaway is the brightest scribe in Ox Te’ Tuun, a powerful ancient Maya city.  Then in 900 A.D., her life is torn apart by a greedy new king’s war.  She, her best friend Yochi, and a new friend Ichik must band together to fight back and save their home.  In doing so, they expose a deadly weapon, one that threatens to ruin everything.

Though these two young women live in different ages, their paths’ cross when Amara is tasked with discovering and stopping a secret before December 21 to save herself, and the world.

(On a side note, you’ll learn some interesting facts about the classic Maya reading my book. I did a lot of research, and tried to incorporate as much as I could.)

2. Why did you become an indie writer?

For a few reasons.  Writing is something I have to do—if I go for long periods of time without writing, I feel anxious and restless.  After getting my M.S. in publishing and working for a couple publishers, including Simon & Schuster and Random House, I decided that I really liked e-books and experimenting with different models.  Digital publishing has really leveled the playing field for indie authors, I think, and I wanted to learn everything I could about it.

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Lynette White

Lynette White avoided the vanity press route and opted for self-publishing instead.  Find out which vendor she uses for marketing and the one thing she’d do differently if she could start over.

1. Give me the “elevator pitch” for your book in five to ten sentences.  

Betrayal is tearing at the very fabric of the twin cities and they are on the verge of collapse.  The frightened citizens are turning on the garrisons, the gods, and each other.  Commander Shadoe Van Ives discovers how to save them if he can stay alive long enough to find someone he can trust.  Shadoe must outmaneuver the enemies inside and outside the walls of the twin cities before time runs out for him and for them.

2. Why did you become an indie writer?

I have wanted to publish my work for a long time but kept letting life get in the way.  It took my dying mother to make me realize I am the only one who can make my dreams come true.  Being an unknown, I was lured to a vanity press.  Fortunately for me I was pointed in the direction of indie publishing before I made a critical mistake.

3. Have you been traditionally published?  Why or why not?

Not yet.  I am still working on finding the way in.  I have the tools now to pursue that avenue and will begin the process soon.

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Becca Chopra

Becca Chopra chose self-publishing rather than bother with sending out query letters to traditional publishers.  Find out which vendor she recommends for her marketing materials and learn about a website with free advice for indies.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Chakra Secrets is a memoir and more.  Follow me on my path from aspiring actress to yoga teacher and chakra healer.  Navigating betrayals and loss, tormented by guilt, I explore kundalini, tantric sex, past-life regression and mind-body tools as I earn my credentials as an energy healer and finally find love and light.  You’ll not only learn my personal secrets, but the “instant” healing tool I learned in Hawaii that you can use anytime, anywhere to eliminate pain, stress and clear the path for healing on all levels.

2. Why did you become an indie writer?

I didn’t have the patience to send out query letters to agents.  Rather, I decided to self-publish and save myself a lot of time.

3. Have you been traditionally published? Why or why not?

No.  I haven’t tried – but I won’t turn down a traditional publisher if they approach me.

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Keri Griffiths

Keri Griffiths self-published her book Unforgivable because she liked the control she had over her writing.  Learn more about how she reaches readers and the pros and cons of self-publishing.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Unforgivable: “They may be our family, our friends, and we may love them deeply, but some things are unforgivable; some things will haunt your every step, some things will get you killed, and it’s Sarah Costello’s duty to make sure every sin is paid for in blood.”

2. Why did you become an indie writer?

Short answer?  I’m a control freak.  Indie publishing gives writers complete control over the look of their books and a say in distribution.  This book is my baby, I’ve worked hard to get it to the readers.  So to have final say is a real treat.  That said, being an indie writer means that all the work, all the publicity and all the stuff I know very little about is on me.  I have to figure it out.  It’s both thrilling and challenging.

3. Have you been traditionally published? Why or why not?

I’ve published several articles, mostly on travel, on various websites and news outlets, but never for my novel.  I’ve tried that route and it’s very difficult to break into, especially with your first novel.  Indie publishing helps establish a following and prove yourself as a viable writer.  I haven’t totally turned my back on traditional publishing but I’m really enjoying this journey.

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R.G. Taark

R.G. Taark is a sci-fi writer who has already experienced success with the indie writing process.  Learn which marketing methods work for him and what he would have done differently he could go back.

1. Give me the “elevator pitch” for your book in five to ten sentences.

My Guardsman series is a science fiction mystery, set in a “Bladerunner” style world, with direct action and very human goals and desires.

2. Why did you become an indie writer?

I first started writing as a hobby.  My life was turned upside-down and I had to start over again at 33.  While I was working on the state licensing requirements for my “real life” business I started writing books and stories I had in my head during my spare time.  I enjoyed writing and found a mentor who taught me what I needed to do to make my disparate scribblings into a coherent book.  When I was done I published my first book and the second followed quickly.

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David Carroll

David Carroll has found a way around the boundaries of traditional publishing, going it alone as a self-published indie author. Learn more about his writing and which marketing methods have worked best for him.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Princess Nenji is named as the next queen when a dragon hunts down the royal family. But before she can claim her throne, she must resolve the politics about her being a Mage’s apprentice, and embark on a quest to stop the Dragon King from finishing the job. She meets fascinating creatures, and learns a lot about herself along the way.

2. Why did you become an indie writer?

The publishing industry has been in chaos since 2009. Very few new authors are given the royal treatment anymore. No one can be “just an author” until they sell enough books to pay someone to do everything else. While distribution methods have been accessible to everyone, and marketing is required of authors whether indie or traditional, it seemed like a good time to go it alone.

3. Have you been traditionally published? Why or why not?

I have not been traditionally published because the big publishers need me to prove myself first, and the small publishers might not survive long enough to get my books to print.

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Katherine Holmes

Katherine Holmes has worked with small press publishers and as a self-published indie author.  Learn more about her impressions of both processes, as well as which marketing method she believes helps indies the most.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Winner of Prize Americana, Curiosity Killed the Sphinx and Other Stories is a collection of short fiction exploring the complexities of life.  Laying the profound beside the mundane, author Katherine L. Holmes creates rich and complicated characters who search for identity, meaning, and purpose within a world often dangerous and sometimes even cruel.  Her readers relate to such struggles and find comfort as they face similar challenges of their own.

A couple clashing with early computers, a divorced woman finding her scattered family to be strangers, a girl running away to the shop where her parents’ antiques were sold, Midwestern college students in weather and water emergencies – these are some of the conflicts examined by the author.  Past solutions tempt these characters as they consider contemporary choices.

2. Why did you become an indie writer?

Short story collections are difficult to market.  I entered the Prize Americana contest and won.  I was awarded publication by a small press publisher, Hollywood Books International.  I’ve published poetry and fiction in journals and believe in the small press process.

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Suzy Milhoan

Suzy Milhoan has managed to turn her grief into a learning experience, one she seeks to share with the world through her writing.  Find out more about her proactive marketing approach and how social media enhanced her networking.

1. Give me the “elevator pitch” for your book in five to ten sentences.

The Healing Game shares Suzy’s journey of losing her beloved husband, Kevin, hitting rock bottom, and painfully finding her way back to her life. Suzy’s deeply personal writing reveals how she learned to grieve, work through her emotions, remember the good times, and once more embrace love.

For those who have lost a loved one, The Healing Game not only offers comfort and support, but also shows you that God is ever-faithful and always by your side.

2. Why did you become an indie writer?

This was my first book, and I thought I could get my book finished and published sooner by going this route.  I didn’t have a platform yet to try to sell to a publisher or agent, so I went off on my own.

3. Have you been traditionally published?  Why or why not?

No, I didn’t have the confidence to seek out traditional publishing because I was just starting a new career (writing) with a brand new book, and a non-fiction at that.

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Marquita Herald

Marquita Herald has been writing in a variety of formats for years, and has enjoyed the self-publishing process. Find out why she likes the free promotions on Amazon’s KDP Select, and which vendors she chooses for her marketing.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Have you ever noticed that two people can be faced with the same crisis and while one becomes hopelessly mired in a web of negativity and feelings of helplessness, the other is able to overcome adversity and bounce back stronger than ever?

The hard truth is that from time to time we are all going to stumble; encounter unexpected detours, and fail. No matter how much we try to outrun or sidestep adversity, it is going to happen. So the real question then becomes not how to avoid obstacles, but how to use them to our advantage.

By choosing to look at all experiences as opportunities for growth and greater long-term resilience, we are able to approach life on a whole new level and embrace our experiences with much more enthusiasm. Adversity can present us with the opportunity to realign ourselves with what is really important in our lives and in the process strengthen confidence in ourselves and our abilities.

The good news is that research has proven that resilience is not a genetic gift for the lucky few. It is a set of skills that can be practiced and mastered over time and Stepping Stones to Greater Resilience is a self-directed learning guide that shows the way.

2. Why did you become an indie writer?

I’d have to say I was technically an “indie writer” long before the term was coined. I live on a small island so it’s natural to end up a sort of jack of all trades. In every job and volunteer position I’ve ever held I’ve ended up as the official scribe and written everything from materials for fundraising to scripts for travel industry promotional films and public relations kits, to marketing materials for the local arts and cultural center. I even co-authored a native Hawaiian cookbook for a local nonprofit. So I was already comfortable with the role of an independent writer when I began blogging a couple of years ago and over time that naturally evolved into my first book.

3. Have you been traditionally published? Why or why not?

To be honest I never considered approaching a traditional publisher. What I find most appealing about self-publishing, particularly in a digital format, is having the ability to try new things and control the process, which suits my independent and creative nature.

4. How have you liked self-publishing so far?

Overall I love it. Of course with anything in life there are pros and cons and this is no different. I had no clue what I was doing when I started, so I faced a huge learning curve. Fortunately I’m not shy about asking questions or trying new things and I have learned to define my occasional stumbles as ‘growth’ opportunities.

5. Tell me about the marketing techniques you’ve used to sell your books. Which ones have been the most successful?

While I don’t view it as a long-term strategy, I am a big fan of Amazon’s KDP program as an opportunity for new authors to get their work into the hands of large numbers of readers. I know there are a lot of people who view the ‘free’ promotions as a negative, but my experience has been that my sales spike sharply right after a free day, so for me it’s worked well.

My blog has been a very important tool as well. I’d already been blogging for a couple of years and had a good size following before I published my first book, so there’s been a lot of support there.

Otherwise I’ve found author communities to be incredibly supportive. Most authors are very generous with advice and cross promoting on social media platforms like Twitter and Facebook.

6. Are there any marketing techniques you intentionally avoided or discontinued, and if so, why?

Living on a small island tends to automatically eliminate a few of the traditional promotional activities. For example there is only one bookstore here, it’s on the other end of the island and I’ve never known them to host author readings or book signings.

I have listed my books in quite a few directories, as well as sites such as Goodreads, but don’t invest a lot of time attempting to pursue readers on these sites. It’s not that I don’t see the value of every single reader, it’s that you have to draw the line somewhere or you’ll end up spending more time promoting than writing.

7. Which services or vendors do you recommend for the marketing methods you used?

I don’t do a lot of direct mail because of the expense, but I do think it’s important to have a quality business card and media kit. For business cards and postcards, actually any business materials, I go with Vista Print. Their prices and service are excellent, but what I also like is how user friendly their platform is when it comes to customizing your materials. As a hands-on artist that is very import to me.

Another vendor I love and have used for years is Zazzle to create promotional materials like logo pins and t-shirts and you can customize pretty much every item they carry. Again the service and pricing are terrific, but the best thing is that unlike most promotional outlets they do not require bulk purchases. So let’s say you have a special event coming up and you want to create a logo pin or t-shirt promoting your book just for you to wear, you can do that!

8. What’s the most important thing you’ve learned about self-publishing that you didn’t know when you started out?

It was quite an eye opener to learn how many professionals continue to only review books that have been published traditionally. As if that weren’t challenge enough, I’ve also learned just how tough it can be to get professional reviews for nonfiction books. I had no idea there were so many reviewers who will only review fiction.

9. If you could do one thing differently in publishing your books, what would it be?

I now have a far better understanding of the value of creating a ‘launch event.’ I’ll be publishing my third book in a couple of weeks and I’m doing a lot more advance work like building an ‘interest’ list, working with affiliates and offering special bonuses for the launch. I’ll keep trying new things and evolving the process with each new publication.

10. Indie authors face the challenge of marketing their books without the resources of traditional publishers. What advice do you have for an indie just starting out?

Take a deep breath and plan for the long haul. Don’t believe the people who tell you you’ll never make a dime, or the people who try to sell you a formula to make an ‘easy’ bundle. Don’t be afraid of making mistakes, just don’t repeat them. And, most important of all, write more than you promote. It’s very easy to get caught up in the promotion of your current book and let days and weeks go by without writing a word. Whatever you do, keep writing.

11. What are you currently working on?

The name of my new book is It’s Your Time Now – A Guide to Living Your Life by Design.

Most people are familiar with the term ‘life design’ but few people really understand what that really means, or where to begin to live life intentionally when you’re already up to your eyeballs in life and responsibilities. This book is a guide to bring into focus the steps to begin the journey to mastering your life by design.

12. If you could market your brand – not just one particular book, but your overall brand of writing – in one sentence, what would it be?

Life doesn’t get easier – we get better.

13. How can readers learn more about your books?

Either at my blog, IGG – Tips, Tools & Tantalizing Ideas, or my new Facebook page, Living Your Life by Design. Both sites include links to download a free chapter and to the product pages at Amazon.

Simon Trinculo

Who doesn’t love a good conspiracy?  Indie author Simon Trinculo offers up a fresh batch of alternate explanations for the events of our day, and explains his approach to marketing and the writing process.

1. Give me the “elevator pitch” for your book in five to ten sentences.

The idea behind The New Conspiracy Handbook was to give fans of conspiracy theory some new ideas to wrap their minds around.  You can only read so much about JFK or 9/11 or Area 51 so I felt like the market might be there for something fresh.  And unlike many conspiracy books, I do not rely on any kind of “new” secret facts that only I am privy to.  Every fact in my book is easily verifiable and most are common knowledge.  What I did was take what we already know and create a new narrative to tie those facts together.  TNCH offers 25 new theories in compact, easily digestible chapters.  I tried to appeal to a broad audience by hitting a diverse array of topics, from politics to sports to the music world and more.

2. Why did you become an indie writer?

Thinking about and discussing conspiracy theories has long been a hobby of mine.  Writing them down in book format seemed like the next natural step.  Being independent helps with this type of writing because you don’t have to answer to another person who might want to suppress your ideas.

3. Have you been traditionally published?  Why or why not?

No. This is my first book. I may consider submitting to a publisher in the future.

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