Diana Miller

descentDiana Miller has had experience in both the indie and traditional publishing worlds. She explains why review swaps are a great way to build your reader base.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My debut novel Descent is being published by FyreSyde Publishing on April 14th, 2021.  It follows the story of Serafina Thomas. Sera is orphaned at sixteen, and sent to live with her only remaining relative in a small, rural town. Recruited by a dark, alluring young man to attend the prestigious St. Michael’s Academy, she is thrust into the secret underworld of demon hierarchy where one must fight to survive. She quickly meets Justin, who rules the demon hierarchy along with his grandfather the Arch Demon, who has taken a special interest in Sera. Martin is the Watcher; an Archangel with one goal in mind: to eradicate the demons from the Earth, protecting the human race for all time.

All three are thrown together in this sage of time and tragedy, with Sera torn in the middle. Will they bind themselves together in order to save their own species, or burn in the chaos? A millennia old struggle comes to a head in the first book of The Demon Chronicles trilogy. The sequel Feud will be published just a few weeks later!

2. How have your sales been?

I actually had this story self-published for a little bit, and it did ok. I’m excited to reach a larger audience with my publisher. My free short story “5 Days to Die” has been downloaded many times, and I’ve had great feedback. It’s on Amazon for $0.99 or for free if you sign up for my newsletter on my website (dianagmiller.com).

3. You’ve used both self-publishing and traditional publishing. Which do you prefer, and what are the pros and cons of each?

It was an exhausting process to manage on my own, and with a full time job I just couldn’t devote the time needed. I’m excited to be partnering with FyreSyde to help with this aspect of it!

My publisher has a greater audience reach than I could possibly have alone, and access to more resources (cover artists, editors, etc.). I owe it to my story to make it the best version possible, and I concluded that I just couldn’t do it on my own while keeping up with my family and full-time job as a music teacher.

I’ve met some amazing indie authors, and read some amazing stories! Some of the very first reviews of Descent were from these lovely people, and it’s been wonderful to be active in the writing community. The con is the sheer amount of work, and how hard it is to be seen in a sea of indie authors lately. I’m hoping to have the best of both worlds by working with my small publisher. Continue reading

Stephanie Berger

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Stephanie Berger chose hybrid publishing, and believes there are pros and cons to the approach. Read about what she has learned through the process.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

The Happiest Birthday Ever is inspired by my 40th birthday when I did 40 random acts of kindness around town in one day. I knew that people would have as just as much fun as I did, they just needed the idea to get them started. I especially wanted to inspire kids and let them experience that giving is even more fun than receiving. I wanted the book to be realistic where the readers could visualize themselves participating in a similar birthday celebration. So I wrote about a boy turning seven years old and he and his friends do seven random acts of kindness as his birthday party. It may be a different spin on birthday parties, but most of all, it inspires kids that spreading kindness is a lot more fun than they ever imagined.

2. How have your sales been?

My sales were great at first. Especially when I would do an author visit at a school, my pre-order sales for the book were great, until COVID-19 hit. My school visits were cancelled and my school orders are non-existent. Online sales have also come to a halt.

3. You’ve chosen self-publishing. How have you liked it so far? Talk about some of the positives and negatives you’ve encountered.

I chose to go with a hybrid publisher. This is my first book and I wanted a one stop shop with the resources to guide me through the process, edit, design layout and illustrations. I knew going into it that I would be paying for these services whether it be with the publisher I chose or finding independent contractors to help me with the process. I paid an upfront amount of money to cover these services and I liked that they don’t keep a royalty until I recoup 100% of those fees. I also liked that they wrote a press release which gave me visibility on an out of state news channel and helped me sell over 50 books in the United Kingdom. I would not have been able to do that on my own.

The biggest negative is that I did not get to set the price of my book and it is priced higher than I would have liked. I also do not have the ability to set up marketing on Amazon as self-published authors do.

I was forewarned that you stay far away from any publisher that charges you in advance to publish your book. Other authors said they won’t sell your book for you. I knew going into this project that I would be responsible for marketing and selling my book. I feel like those that self-publish have to do their own marketing and selling, too. Having a publisher backing my book has given me access to large big box stores online that would not be listing my book if I did this all on my own.

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Martin Svolgart

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Martin Svolgart has had experience with traditional and self-publishing, and does a good job of comparing them. Learn the pros and cons of each, and why viewing yourself as a brand is so important.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

A Game Called Payback is my debut under this name – a psychological crime thriller with bullying as its main theme. Normally, I write under pseudonyms. But the topic here was gathered mostly from my past, and I learned so much from it that I thought it deserved my own name. Mainly because I dedicated the book to my high school bully.

It’s far from an autobiography. In the end, only one sentence ever said to me made it into the book, and the rest is crafted to be entertaining and exaggerated to bring home the moral of the story.

2. How have your sales been?

Really awful. But that’s the fate of most first books, and it’s even a standalone, so it’s going to be uphill. So I don’t take it that hard.

3. You’ve used both self-publishing and traditional publishing. Which do you prefer, and what are the pros and cons of each?

With self-publishing, I enjoy having full creative freedom because I have a professional team behind me: editor, proofreader, and cover artists. Marketing, however, is the one aspect that is difficult for a debut since building a brand, a network, and a platform takes a very long time. But most of that is needed by traditionally published authors, too; they just have help on exposure from the trad publisher’s platform.

I also write under HP Caledon (sci fi/space opera), and that series is traditionally published. I chose that route back then because I’m not a native English speaker, and I didn’t have the team I do now (we met at the publishing house and instantly connected). I needed to learn about the English market, so I went with traditional publishing to learn from the pros and to have a professional team help my story get out right.

Traditional publishing can feel slow! And your hands are kinda tied regarding many of the marketing tools that work really well for indies. For instance, there’s a limited number of books you can use for promotional purposes when it’s not for reviews. Indies have full right, so they can build a platform easier through giveaways, etc. Also, Kindle Unlimited for a new name is a Godsend because people dare to take chances with them. Traditional publishing doesn’t allow that in a market now mainly geared toward finding readers via indie author channels.

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Cassondra Windwalker

IMG_0363Cassondra Windwalker is experienced with both traditional and self-publishing.  Find out which one she prefers and why you should be careful with book contests.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

Bury The Lead is a dark psychological thriller exploring the nature of truth and the power of love. It’s the story of a small-town newspaper editor who frames himself for the murder of his missing girlfriend. I was inspired to write it by the precarious position of the press in modern society.

2. How have your sales been?

The book just came out in September, so of course reporting isn’t back yet. But it’s been placed in local and national chains and is available in e-book and paperback across all online retailers.

3. You’ve had experience with both self-publishing and traditional publishing. Which one do you prefer, and why?

I prefer traditional because the amazing support of a strong publishing company allows me more time to focus on what I love – writing – rather than spending all my time editing and formatting and designing and marketing and promoting.

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Susanne Matthews

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Susanne Matthews has had negative experiences with traditional publishers, but has learned valuable lessons along the way. She shares them here in this detailed interview.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My most recent release is Murder & Mistletoe. It’s a Christmas-themed romantic suspense set today, that deals with reuniting two branches of a family separated after the American Civil War—the rich Kaynes of Georgia and the middle-class Kaynes of Northern New York. Not everyone in the family is happy with the idea of sharing their current riches, as well as missing pirate treasure hidden somewhere in the house. One member of the family determines to get rid of the newest Kayne while another falls in love with her and vows to keep her safe despite the attempts on her life.

I decided to write the story after I got my DNA results back last summer. There were things I knew would be there since I had a fairly complete family tree, but there were also a few surprises. Among these were the fact that some members of my family, Acadians, were deported to Louisiana by the British in the mid-eighteenth century, meaning I may have some American family I don’t even know exists. How would they feel about having a French-Canadian cousin?

2. How have your sales been?

Disappointing is the best way to put it, but I have had a few thousand pages read through Kindle Unlimited, and the few reviews I have are positive.

3. You’ve used both self-publishing and traditional publishing.  What are some of the pros and cons of both?

This is a hard question to answer because I believe I got into the writing game at its most
unstable time in modern history. On the pro side: to this day, a traditional publisher, especially a well-known and well-respected one, brings a sense of legitimacy to your writing in the eyes of a large number of people. To many, even in this digital society, you aren’t a real writer unless you publish paperback or hardcover books, available in bookstores.

Traditional publishers take a lot of the grunt work out of publishing, but unless they are a big house, they don’t put your books in brick and mortar stores either. They do provide the editor, the cover artist, and look after the format for the cover release. They may send out copies to reviewers and look into some marketing for the book, but on the con side, they may not see the story the way you do, and they have the last word on edits and covers. A so-so cover can ruin a book’s chances at attracting readers, something a new writer has to do better than an old established one. Some publishers may provide you with paperback and ARC copies for promotion, but many don’t.

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S.P. Jayaraj

imgp3554S.P. Jayaraj knows the hard work it takes to make it as a self-published author.  Find out how he uses book fairs and Patreon to attract more readers.

1. Tell me briefly about your book – what is it about and what motivated you to write it?

My book is a story about Gradni, a young elf orphan boy who blames dragons for all the pitfalls in his life. He is determined to destroy them, but he struggles on this journey when he learns that the dragons are not the villains he was brought up to believe. It is a coming of age story in a high fantasy world that is influenced by global mythologies.

2. How have your sales been?

Initial sales were pretty decent considering that I’m still learning about how to market this book in a way that suits me.

3. You’ve gone the self-publishing route. Tell me more about that and how you got into it.

I did initially start sending my book out to agents, and though I got some positive responses, ultimately agents did not think it was a good fit for them. I understand that an agent really needs to feel a unique connection with a book to be able to represent it. I wonder if part of the problem was the vastness of the world that the story is set in which might have seemed overly ambitious and thus hard to trust which I do understand. I could have continued to look for an agent and believe that I might have found one that way; however, I wanted to get this book out there into the world so that I could work on following it up with more stories of Adijari.

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R.L. Walker

41KJmi11IcL._SX331_BO1,204,203,200_R.L. Walker believes authors should start early in their marketing efforts.  Learn which networking techniques she’s used to get her books into readers’ hands.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My latest book, Kai’s Secret, is about a Navajo girl, Kai, who gets an internship to help discover her heritage. While she was working at the museum, she discovered that artifacts were being stolen and that she had the ability to shape shift into a hawk. She must use her abilities to stop the thief as she uncovers that there is a connection between the artifacts’ disappearance, the pipeline, and her parents’ disappearance years ago.

I was motivated by current events and my own experiences working on an archaeological dig site. I wanted to help more with the plight of the Native Americans and the pipeline going through their land. I thought that by writing about a reservation that was going through something similar more people might show more empathy towards their situation.

2. How have your sales been?

My sales are better than I expected, but not quite where I would like to be to make a living off my writing. I sell more in person at book signings and when I get media coverage. Sales seem to go hand in hand with promotions and media attention. However, it is hard to balance my job, writing new stories, and sending out press releases.

3. You’ve gone the self-publishing route. Have you sought an agent or any work with traditional publishers? If not, why not? If so, what has been your experience with traditional publishing?

I have sent out a few query letters, but have not spent a ton of time trying to find a publisher or agent. I like the freedom that self-publishing gives you. You can write about things that you want to and not have things edited out due to a publisher’s demands.

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Randall Moore

Welles Lang's Magic Box Cover_edited-1.jpgRandall Moore is working to make the switch from self- to traditional publishing. He shares his experience with the querying process and explains why book giveaways are not a preferred marketing method.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My latest published book is Welles Lang’s Magic Box. It’s about a genius cinema auteur who’s employing an innovation in performance capture with a side effect: not only are the actors’ performances captured but their souls are as well. It comes from an idea I had years ago about performers dying to be in a movie that will truly immortalize them. It’s a hybrid of horror and science fiction with action adventure and romance thrown in.

2. How have your sales been?

Sales have been tepid at best. I did a Goodreads giveaway of 100 digital copies and a Freebooksy giveaway of 1,300. I got one great review and some terrible reviews from people who failed to finish my book.

3. You’ve gone the self-publishing route. Tell me more about that and how you got into it.

Self-publishing started as a lark. It was exciting to see my short story for sale on Amazon. I made it free and had hundreds of downloads. I then expanded my short story into a novel, which became a trilogy. By now writing had become an all-consuming passion and I haven’t let up to this day.

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Tony Flood

41rVOGuQpfL._UX250_Multi-talented Tony Flood has written about celebrities and created his own fantasy adventure book. Learn how he’s used press releases and a variety of social media platforms to market his books.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My celebrity book My Life With The Stars contains revelations and amusing anecdotes about famous people I have interviewed and/or written about as a journalist. It features Elvis Presley, Frank Sinatra, Joan Collins, George Best, Bruce Forsyth, Britt Ekland, Muhammad Ali and a host of others. I was encouraged to write it by my wife and fellow author Heather Flood, who pointed out that I had met so many famous people who people would be interested to read about.

2. How have your sales been?

The sales have been good but the best sales have been achieved by my fantasy adventure book Secret Potion, which June Whitfield says is ideal for Harry Potter fans. Like Harry Potter, it is for both children and adults.

3. You’ve used both indie and traditional publishing for your books. What has your experience been like with both?

Traditional publishing has probably brought me in more regular royalty payments from Andrews UK with the e-version of The Secret Potion.

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Vincent Formosa

51e+WDmB0SL._SY346_British author Vincent Formosa combines his background in history with his love for aviation. Read about how he navigates a crowded self-publishing field and why Twitter is not the platform best suited for him.

1. Tell me briefly about your latest book – what is it about and what motivated you to write it?

My latest book out is a novel titled Run The Gauntlet. It follows the life of an RAF light bomber squadron from the outbreak of World War 2 to the end of May 1940 and the fall of France.

I was inspired to write it after reading an article in an aviation magazine about the air war in France during the German Blitzkrieg. It related a few details about a Blenheim bomber squadron (the Blenheim was a twin engine light bomber in the RAF at the time, 3 men per crew) that lost 18 out of 21 crews in 10 days and that figure did not include the replacements who had also been shot down.

I was staggered by this. The thought of a squadron that had fought and trained for years before the war to be almost casually wiped out really brought home to me the cost of war. So I started the novel, doing a lot of research along the way, trying to encompass that press on attitude while conveying the harshness of combat.

2. How have your sales been?

Sales so far have been slow. My first novel came out in 2011. My second novel came out at the end of 2016.

I’m playing the long game on this one. I’m writing for a bit of a niche genre (aviation military fiction) and while there are lot of aviation magazines, they don’t review fiction, so it’s proving difficult to get myself out there and known. I realize that when someone buys your book and then looks to see there are no more by you, you miss an opportunity for a secondary buy. So as time goes on, I’ll have more books out there and it will naturally blossom. A reader will read one, say “I enjoyed that,” and then see there are others they can buy. So one sale can turn into four or five.

3. You’ve chosen to use indie publishing for your books. Can you elaborate as to why you made this choice?

About 8 years ago I came across Joe Konrath’s blog where he discussed what had led him to self-publish and I found his argument very reasoned. 99.9% of new authors will not get much in the way of promotion from a publisher, so for the virtue of getting my book physically on a bookshop shelf, I’m giving away quite a percentage of royalty.

So if I’m not getting any promotion help, why not do it myself and get more royalty for me?

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