Paul West saw the self-publishing revolution coming in the 1990s as music was increasingly becoming digital. He discusses his book, First Cause, and the numerous marketing methods he’s used to reach his audience.
1. Pretend for a moment I’m a reader looking for my next book. Pitch me your book in five to ten sentences.
Journalist Adam Grey has just woken up in the hospital, a week after the world was thrown into chaos by a battery of explosions. A woman named Angela, whom he recently met, might have something to do with the attacks. As the truth emerges, it will challenge their conventional assumptions about what it means to be human.
First Cause: A Novel About Human Possibility is a thematically driven speculative thriller with a strong female protagonist. It appeals to a broad range of readers, including history buffs and sci fi fans.
2. What motivated you to become an indie writer?
Back in the 90s, when I first had the idea of actually trying to publish somewhere down the line, I noticed what was happening in the music industry; I had the feeling the publishing industry would begin to go in a similar direction and I looked into the ways that that might happen. I had a decent social network in place, so I set things up by building a mailing list while I was working on the book; I sent out excerpts and occasional updates, and I threw a ‘completion party’ when I wrote the last word on the last page – before all of the post edits, though. I was just celebrating the fact that the story was complete! I celebrated with friends, family, acquaintances, and all the people who’d provided critical feedback and moral support during the writing process. I took a year away from it, just to decompress – then I began the editing process, my own A-Z edit, and then some fantastic editing done by people with great minds and sharp eyes.
3. How have you liked self-publishing so far?
I’m glad I did it! Partly because I’ve sidestepped the machine politics of the ‘big six’, but also because I feel real ownership over my product. I have to say, though, it’s a lot of work.
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