Morgan Amos

51nKIGsVA0L._SX311_BO1,204,203,200_Mystery/thriller author Morgan Amos has learned many things – both good and bad – during her self-publishing journey.  Find out the one mistake she made starting out that can be key to a book’s success or failure.

1. Tell me briefly about your book – what is it about and what motivated you to write it?

“From the Killer’s Eyes” focuses on the small town of Somers and takes the reader into the life of Bradley Beckington and Katie Caldwell. Katie and Bradley meet and fall for one another, but what Katie doesn’t know is that Bradley has a sinister past that threatens to tear them apart, and if Katie isn’t careful she could wind up dead. The motivation for my book stemmed from watching a lot of Lifetime TV movies and seeing what they were producing. I tend to read a lot of thriller and mystery books also, and I am into true crime, so I got the idea to write my book from that.

2. How have your sales been?

Being honest, my sales haven’t been great. When I first released my book back in 2014, my dad helped me to sell copies, but once that stopped so did my sells, unfortunately. I promoted through social media and word of mouth, and I continue to, and it’s definitely been a process.

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Fred Gordon

fredgordon1. Give me the “elevator pitch” for your book in five to ten sentences.

My name is Fred Gordon, I’m a C5-C6 quadriplegic.  I wrote an autobiography of my life called Still Looking Up.  I wrote the book in hopes of inspiring any reader but especially people with spinal cord injury.  In my years of being in a wheelchair I’ve heard horror stories of depression, not wanting to live and the hard times of adjusting to a new situation.  I’ve been blessed to have not gone through any hard times with adjusting, and I want to give back to those that do.  Not just SCI or wheelchair individuals but anybody that has gone through something that had the potential to stop their progression through life.

I try to give a picture of my life before the chair, so when they see my life after the chair they can see not much changed as I grew from a misguided teenager into manhood.  I tried to tell my story as it happened, from going to jail, to losing the love of my life, to the initial accident, to getting saved and married.  I put it all on the table, good and bad.

2. Why did you become an indie writer?

It’s funny you asked that because I wasn’t sure what an indie writer was before this interview.  I don’t know, when I used to get sick and had to go to the hospital, I would talk to the nurses and share my life with them, and a lot of them would say I should write a book.  I heard that for years and then one day, a quiet voice said, you need to write that book.  So I started writing.  I didn’t have a real plan, I’ve been winging it for real.

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Sabrina Ricci

cover1. Give me the “elevator pitch” for your book in five to ten sentences.

The world will not end in 2012, Amara just knows it.  The 20-year-old college reporter is set on debunking the Maya calendar myths and restoring the peace. But when a covert group starts hunting her, she and her roommate Cayden are forced to uncover her grandfather’s mysterious past.

At 20-years old, Mahaway is the brightest scribe in Ox Te’ Tuun, a powerful ancient Maya city.  Then in 900 A.D., her life is torn apart by a greedy new king’s war.  She, her best friend Yochi, and a new friend Ichik must band together to fight back and save their home.  In doing so, they expose a deadly weapon, one that threatens to ruin everything.

Though these two young women live in different ages, their paths’ cross when Amara is tasked with discovering and stopping a secret before December 21 to save herself, and the world.

(On a side note, you’ll learn some interesting facts about the classic Maya reading my book. I did a lot of research, and tried to incorporate as much as I could.)

2. Why did you become an indie writer?

For a few reasons.  Writing is something I have to do—if I go for long periods of time without writing, I feel anxious and restless.  After getting my M.S. in publishing and working for a couple publishers, including Simon & Schuster and Random House, I decided that I really liked e-books and experimenting with different models.  Digital publishing has really leveled the playing field for indie authors, I think, and I wanted to learn everything I could about it.

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Lynette White

Lynette White avoided the vanity press route and opted for self-publishing instead.  Find out which vendor she uses for marketing and the one thing she’d do differently if she could start over.

1. Give me the “elevator pitch” for your book in five to ten sentences.  

Betrayal is tearing at the very fabric of the twin cities and they are on the verge of collapse.  The frightened citizens are turning on the garrisons, the gods, and each other.  Commander Shadoe Van Ives discovers how to save them if he can stay alive long enough to find someone he can trust.  Shadoe must outmaneuver the enemies inside and outside the walls of the twin cities before time runs out for him and for them.

2. Why did you become an indie writer?

I have wanted to publish my work for a long time but kept letting life get in the way.  It took my dying mother to make me realize I am the only one who can make my dreams come true.  Being an unknown, I was lured to a vanity press.  Fortunately for me I was pointed in the direction of indie publishing before I made a critical mistake.

3. Have you been traditionally published?  Why or why not?

Not yet.  I am still working on finding the way in.  I have the tools now to pursue that avenue and will begin the process soon.

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Becca Chopra

Becca Chopra chose self-publishing rather than bother with sending out query letters to traditional publishers.  Find out which vendor she recommends for her marketing materials and learn about a website with free advice for indies.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Chakra Secrets is a memoir and more.  Follow me on my path from aspiring actress to yoga teacher and chakra healer.  Navigating betrayals and loss, tormented by guilt, I explore kundalini, tantric sex, past-life regression and mind-body tools as I earn my credentials as an energy healer and finally find love and light.  You’ll not only learn my personal secrets, but the “instant” healing tool I learned in Hawaii that you can use anytime, anywhere to eliminate pain, stress and clear the path for healing on all levels.

2. Why did you become an indie writer?

I didn’t have the patience to send out query letters to agents.  Rather, I decided to self-publish and save myself a lot of time.

3. Have you been traditionally published? Why or why not?

No.  I haven’t tried – but I won’t turn down a traditional publisher if they approach me.

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Keri Griffiths

Keri Griffiths self-published her book Unforgivable because she liked the control she had over her writing.  Learn more about how she reaches readers and the pros and cons of self-publishing.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Unforgivable: “They may be our family, our friends, and we may love them deeply, but some things are unforgivable; some things will haunt your every step, some things will get you killed, and it’s Sarah Costello’s duty to make sure every sin is paid for in blood.”

2. Why did you become an indie writer?

Short answer?  I’m a control freak.  Indie publishing gives writers complete control over the look of their books and a say in distribution.  This book is my baby, I’ve worked hard to get it to the readers.  So to have final say is a real treat.  That said, being an indie writer means that all the work, all the publicity and all the stuff I know very little about is on me.  I have to figure it out.  It’s both thrilling and challenging.

3. Have you been traditionally published? Why or why not?

I’ve published several articles, mostly on travel, on various websites and news outlets, but never for my novel.  I’ve tried that route and it’s very difficult to break into, especially with your first novel.  Indie publishing helps establish a following and prove yourself as a viable writer.  I haven’t totally turned my back on traditional publishing but I’m really enjoying this journey.

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David Carroll

David Carroll has found a way around the boundaries of traditional publishing, going it alone as a self-published indie author. Learn more about his writing and which marketing methods have worked best for him.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Princess Nenji is named as the next queen when a dragon hunts down the royal family. But before she can claim her throne, she must resolve the politics about her being a Mage’s apprentice, and embark on a quest to stop the Dragon King from finishing the job. She meets fascinating creatures, and learns a lot about herself along the way.

2. Why did you become an indie writer?

The publishing industry has been in chaos since 2009. Very few new authors are given the royal treatment anymore. No one can be “just an author” until they sell enough books to pay someone to do everything else. While distribution methods have been accessible to everyone, and marketing is required of authors whether indie or traditional, it seemed like a good time to go it alone.

3. Have you been traditionally published? Why or why not?

I have not been traditionally published because the big publishers need me to prove myself first, and the small publishers might not survive long enough to get my books to print.

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Katherine Holmes

Katherine Holmes has worked with small press publishers and as a self-published indie author.  Learn more about her impressions of both processes, as well as which marketing method she believes helps indies the most.

1. Give me the “elevator pitch” for your book in five to ten sentences.

Winner of Prize Americana, Curiosity Killed the Sphinx and Other Stories is a collection of short fiction exploring the complexities of life.  Laying the profound beside the mundane, author Katherine L. Holmes creates rich and complicated characters who search for identity, meaning, and purpose within a world often dangerous and sometimes even cruel.  Her readers relate to such struggles and find comfort as they face similar challenges of their own.

A couple clashing with early computers, a divorced woman finding her scattered family to be strangers, a girl running away to the shop where her parents’ antiques were sold, Midwestern college students in weather and water emergencies – these are some of the conflicts examined by the author.  Past solutions tempt these characters as they consider contemporary choices.

2. Why did you become an indie writer?

Short story collections are difficult to market.  I entered the Prize Americana contest and won.  I was awarded publication by a small press publisher, Hollywood Books International.  I’ve published poetry and fiction in journals and believe in the small press process.

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Suzy Milhoan

Suzy Milhoan has managed to turn her grief into a learning experience, one she seeks to share with the world through her writing.  Find out more about her proactive marketing approach and how social media enhanced her networking.

1. Give me the “elevator pitch” for your book in five to ten sentences.

The Healing Game shares Suzy’s journey of losing her beloved husband, Kevin, hitting rock bottom, and painfully finding her way back to her life. Suzy’s deeply personal writing reveals how she learned to grieve, work through her emotions, remember the good times, and once more embrace love.

For those who have lost a loved one, The Healing Game not only offers comfort and support, but also shows you that God is ever-faithful and always by your side.

2. Why did you become an indie writer?

This was my first book, and I thought I could get my book finished and published sooner by going this route.  I didn’t have a platform yet to try to sell to a publisher or agent, so I went off on my own.

3. Have you been traditionally published?  Why or why not?

No, I didn’t have the confidence to seek out traditional publishing because I was just starting a new career (writing) with a brand new book, and a non-fiction at that.

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Simon Trinculo

Who doesn’t love a good conspiracy?  Indie author Simon Trinculo offers up a fresh batch of alternate explanations for the events of our day, and explains his approach to marketing and the writing process.

1. Give me the “elevator pitch” for your book in five to ten sentences.

The idea behind The New Conspiracy Handbook was to give fans of conspiracy theory some new ideas to wrap their minds around.  You can only read so much about JFK or 9/11 or Area 51 so I felt like the market might be there for something fresh.  And unlike many conspiracy books, I do not rely on any kind of “new” secret facts that only I am privy to.  Every fact in my book is easily verifiable and most are common knowledge.  What I did was take what we already know and create a new narrative to tie those facts together.  TNCH offers 25 new theories in compact, easily digestible chapters.  I tried to appeal to a broad audience by hitting a diverse array of topics, from politics to sports to the music world and more.

2. Why did you become an indie writer?

Thinking about and discussing conspiracy theories has long been a hobby of mine.  Writing them down in book format seemed like the next natural step.  Being independent helps with this type of writing because you don’t have to answer to another person who might want to suppress your ideas.

3. Have you been traditionally published?  Why or why not?

No. This is my first book. I may consider submitting to a publisher in the future.

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